“The Doctor,” directed by Katerina Evangelatos at the Amfi-Theatro in Athens, is a powerful adaptation of Arthur Schnitzler’s Professor Bernardi, reimagined by Robert Icke. This thought-provoking production challenges social labels and biases by exploring themes of gender, class, religion, and identity.
The accompanying visual identity reflects the play’s complexity: segmented and zoomed-in photographs mirror the narrative’s layered structure, while the minimal, centered typography invites contemplation. The theatre program features a clean, elegant layout with monospaced typography, reinforcing the play’s intellectual tone. Together, the visual and typographic choices form a cohesive design that complements the play’s exploration of moral ambiguity and distorted reality.
